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“The present day composer refuses to die!” Edgard Varèse A 3 disc box set anthology recordings of the compositions of the pioneering twentieth century avant-garde composer Edgard Varèse, spanning a period of almost three decades – from the first recording of one of his compositions, the Nicolas Slonimsky conducted Ionisation, in 1933. Igor Stravinsky considered that in the use of percussion and wind instruments Varèse was an innovator of the first rank.
Shipping now. MUCH needed evaluation of work pressed on vinyl for this important composer. A true giant of early 20th century composition (although largely.
Lakshmi baramma serial santhe colours kannada. Like his contemporary, Varèse tapped into something that classical composers had been politely sidestepping for centuries: rhythm. The result is an art of extreme individuality; a music singular in its beauty. INTÉGRALES 2. DENSITY 21.5 (René LeRoy: solo flute) 3. IONISATION 4.
OCTANDRE INTERPOLATIONS FROM DÉSERTS 5. INTERPOLATION I 6. INTERPOLATION II 7. INTERPOLATION III 8. DÉSERTS (Orchestre National de France - Hermann Scherchen) (World Premiere) MUSIC OF EDGAR VARÈSE (Robert Craft conducts woodwinds, brass and percussion) DISC TWO 1.
IONISATION 2. DENSITY 21.5 3. INTÉGRALES 4. HYPERPRISM 6. POÈME ÉLECTRONIQUE (Created directly on magnetic tape by the composer for the Philips Radio Corporation's pavilion at the 1958 Brussels Exposition) 7.
DENSITY 21.5 (Severino Gazzelloni: solo flute) 8. IONISATION (Percussion Ensemble - Nicolas Slonimsky) 9. 
IONISATION (The American Percussion Society - Paul Price) A SOUND SPECTACULAR - MUSIC OF EDGAR VARÈSE (The Columbia Symphony Orchestra - Robert Craft) DISC THREE 1.
DÉSERTS OFFRANDES FOR SOPRANO AND CHAMBER ORCHESTRA 2. CHANSON DE LÀ-HAUT (Song From On High) 3.
LA CROIX DU SUD (The Southern Cross) 4. ARCANA (The New York Philharmonic Orchestra - Leonard Bernstein). The Vernons Girls were originally a choir that were formed as part of the social activities of the Liverpool-based Vernon's football Pools company.
The company saw it as a unique form of promotion and initially sponsored the project. At first, the singers were drawn exclusively from the staff of young women who checked the public's pools coupons. In the event, demand for the girls to give public performances grew far beyond expectation. Remarkably, women would seek employment with Vernons simply as a means of breaking into show business. Regardless of the brilliance of Dudley Moore's celebrated comic partnership with Peter Cook, his marriages and abundant romantic assignations, the relationship which was surely most dear to him was with music. He could pull hilarious classical pastiches - like Beethoven 'variations on Colonel Bogey', and Britten's 'Little Miss Muffett' - out of seemingly thin air. The music he wrote with such nuance in 1968 for Stanley Donen's film Bedazzled has established an incredible reputation for that score as one of the best of the decade, while the popular Dudley Moore Trio proved to be the perfect vehicle for both his compositional explorations and joyful performance skills.
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“The present day composer refuses to die!” Edgard Varèse A 3 disc box set anthology recordings of the compositions of the pioneering twentieth century avant-garde composer Edgard Varèse, spanning a period of almost three decades – from the first recording of one of his compositions, the Nicolas Slonimsky conducted Ionisation, in 1933. Igor Stravinsky considered that in the use of percussion and wind instruments Varèse was an innovator of the first rank.
Shipping now. MUCH needed evaluation of work pressed on vinyl for this important composer. A true giant of early 20th century composition (although largely.
Lakshmi baramma serial santhe colours kannada. Like his contemporary, Varèse tapped into something that classical composers had been politely sidestepping for centuries: rhythm. The result is an art of extreme individuality; a music singular in its beauty. INTÉGRALES 2. DENSITY 21.5 (René LeRoy: solo flute) 3. IONISATION 4.
OCTANDRE INTERPOLATIONS FROM DÉSERTS 5. INTERPOLATION I 6. INTERPOLATION II 7. INTERPOLATION III 8. DÉSERTS (Orchestre National de France - Hermann Scherchen) (World Premiere) MUSIC OF EDGAR VARÈSE (Robert Craft conducts woodwinds, brass and percussion) DISC TWO 1.
IONISATION 2. DENSITY 21.5 3. INTÉGRALES 4. HYPERPRISM 6. POÈME ÉLECTRONIQUE (Created directly on magnetic tape by the composer for the Philips Radio Corporation's pavilion at the 1958 Brussels Exposition) 7.
DENSITY 21.5 (Severino Gazzelloni: solo flute) 8. IONISATION (Percussion Ensemble - Nicolas Slonimsky) 9. IONISATION (The American Percussion Society - Paul Price) A SOUND SPECTACULAR - MUSIC OF EDGAR VARÈSE (The Columbia Symphony Orchestra - Robert Craft) DISC THREE 1.
DÉSERTS OFFRANDES FOR SOPRANO AND CHAMBER ORCHESTRA 2. CHANSON DE LÀ-HAUT (Song From On High) 3.
LA CROIX DU SUD (The Southern Cross) 4. ARCANA (The New York Philharmonic Orchestra - Leonard Bernstein). The Vernons Girls were originally a choir that were formed as part of the social activities of the Liverpool-based Vernon's football Pools company.
The company saw it as a unique form of promotion and initially sponsored the project. At first, the singers were drawn exclusively from the staff of young women who checked the public's pools coupons. In the event, demand for the girls to give public performances grew far beyond expectation. Remarkably, women would seek employment with Vernons simply as a means of breaking into show business. Regardless of the brilliance of Dudley Moore's celebrated comic partnership with Peter Cook, his marriages and abundant romantic assignations, the relationship which was surely most dear to him was with music. He could pull hilarious classical pastiches - like Beethoven 'variations on Colonel Bogey', and Britten's 'Little Miss Muffett' - out of seemingly thin air. The music he wrote with such nuance in 1968 for Stanley Donen's film Bedazzled has established an incredible reputation for that score as one of the best of the decade, while the popular Dudley Moore Trio proved to be the perfect vehicle for both his compositional explorations and joyful performance skills.